When it comes to the job description of producers in today’s recording studio, the phrase “the more things change, the more they stay the same” comes to mind. While technological advances have made the studio a significantly more streamlined and efficient place to work, the principles of what makes a good producer have stood the test of time. In that spirit, I’m going to describe the producer’s role as it applies to songwriters and song demos in the context of today’s technological climate.

1. They work as a translator between the client and the studio personnel

Ultimately, a producer is an expert in the studio – and the songwriting demo process specifically –  and is there to help translate the songwriter’s vision of how they’d like their song to sound into a language that the engineer (if the producer isn’t also the engineer), the session musicians and singers will all understand. This can be particularly useful if you’re a songwriter who is new to the demo process. This is critical to helping you get what you need in an otherwise unfamiliar environment.

2. They understand the capabilities of the studio, players and singers

Given today’s fast changing digital climate, it is a producer’s responsibility to be aware of the capabilities of current technology. This will allow them to keep the session running smoothly by taking advantage of the best, most efficient ways to get a recording done. This also applies to a producer’s choice of studio personnel. After a discussion with the client about the style and feel of a demo, it is a producer’s job to recommend/select the best players and singers for the session.

3. They bring out the best in everyone

Not only does a producer specialize in making sure the players and singers are giving their best performances but it is also a producer’s role to make sure the client is at ease in the studio. This way, the client is relaxed and comfortable enough to ask for what they need in order to get a demo they’re thrilled with. A good producer not only delivers a great demo but a great studio experience for everyone involved.

4. They keep an eye on the big picture

A producer to a recording session is like a director to a film. This means the producer is not only responsible for the minute details of the session but also for the big picture. For example, it’s a producer’s job to make sure the demo sounds polished and honors the genre the songwriter has chosen. Another example would be making certain the client gets an instrumental mix of their song to use in a film or TV show. To that end, producers can also help songwriters get signed releases from the session musicians and singers if, in fact, the demo is going to be pitched to a music supervisor for inclusion in film and TV. Producers will also often have experience with the technological end of things from including metadata into mp3 mixes to helping their clients create links to embed their songs in emails or on websites. All this to say, it is a producer’s responsibility to do a lot more than just run the recording session.


As a songwriter who is new to the studio and the song demo process, it is well worth your while to align yourself with a producer who can help you navigate these unfamiliar waters. A producer’s experience with current technology as well as interpersonal studio dynamics can go a long way towards helping you get not only a great sounding demo but also to enjoy yourself along the way.

Good Luck!

Make the most of your studio demo experience.

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8 responses to “What Makes A Good Music Producer”

  1. Greg Prince says:

    Thank you Cliff. Not just for this article but for all of them. I read and absorb them all. They are all so timely and appropriate with my musical explorations, it seems, and help me on my way as a singer/songwriter. I very much value you sharing your knowledge and experience. Thanks again. Greg… Australia

  2. As a longtime record producer, I can say that this article is right on point. Thank you, Cliff!

  3. Karl Crosby says:

    Thank you Cliff for all you great info, as usual. You always come across like a professor in the music industry. It would be great for the future if you could put together all that you have taught online so far all in a book for music reference. It would truly be a best seller for anyone in the music industry.

  4. Cliff says:

    Thank you Karl. That’s very kind and I’m so pleased you’re finding the posts useful.

  5. Tyler Morger says:

    Nice article Cliff!
    A producer is not the same as a manager?
    I look forward to the next article!

  6. RUTH PAPPAS says:

    I always enjoy your articles! Informative and inspiring! I worked with a producer who met many of the specifications listed … but did not “include metadata into mp3 mixes to helping their clients create links to embed their songs in emails or on websites.” So, I have well produced mp3 and instrumentals, but need to include metadata, and then, the real challenge: Finding a way to license, or send to the recording artist of my choice. Your thoughts?

  7. Cliff Goldmacher says:

    Hi Ruth,

    You can use iTunes/Apple Music to add your own metadata. I’m certain you can find a YouTube video to guide you. Also, my blog is searchable so if you search terms like pitching and licensing you’ll find some useful articles. Hope that helps!

  8. ruth pappas says:

    wow! Yes! It certainly does!
    Thank you so much!

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