For those of you who have never co-written a song, the concept of sharing your creative process may seem, at best, foreign and, at worst, inconceivable. As an inveterate solo songwriter before moving to Nashville, I completely understand. However, co-writing has the potential for so much upside that in most instances it’s well worth the large step outside your comfort zone. I’m going to list seven benefits that come to mind right away with the understanding that there are likely quite a few more.

Reasons to co-write

1. You’ll be accountable to someone else

In my experience, one of the hardest parts of writing a song is actually making the time to do it. Even if you’re diligent enough to block out time on your calendar to sit down and write, there always seems to be something that comes up at the last minute. By scheduling a time to collaborate, you’re not only accountable to yourself but to your co-writer. Being accountable to another person is a great way to keep yourself honest and committed to a writing routine.

2. You’ll work half as hard

In the “stating the obvious” department, I’d like to remind you that two people tackling a song is generally half as hard as trying to do it on your own. It can be a great benefit to have someone to bounce ideas off of and to share the melodic and lyrical duties. Not only does collaboration cut your workload in half, it tends to make the process more fun and a little less fraught. This alone should be enough of a reason to get you to give collaboration a try.

3. You’ll have twice the output

Here’s another “not-so-secret” secret about songwriting. The more songs you have out there, the greater the chance something good will happen. Even though you might only own half of each song that you’re co-writing, you’re still putting twice the number of songs into the world. Not only will this improve your odds but it also tends to make your songwriting process a little less precious. In other words, it’s easier to decide a song is finished and move on if you’re writing twice as many of them.

Reasons to co-write

4. You’ll be exposed to different songwriting techniques

One of my favorite and least expected benefits of collaborating with others is that you get to observe – first hand – how other songwriters write. Normally, writing a song is private but in the process of co-writing, you’re going to be exposed to a variety of different songwriting techniques. Over the years, I’ve gathered countless tips and tricks from my collaborators that I’m able to bring to the table each time I write.

5. You can find a collaborator who’s strong where you’re weak (and vice versa)

Co-writing with a variety of different partners over time tends to expose our songwriting strengths and weaknesses. Simply being aware of your abilities is a bonus when it comes to honing your craft but there’s a second – and equally valuable – benefit. By learning where your strengths and weaknesses lie, you’ll be able to align yourself with collaborators who fill the gaps in your writing and vice versa. This will, invariably, lead to songs that are better than either you or your co-writer could have written on your own.

6. Your demos will cost half as much

In the situation where you and your collaborator have come up with a song you both feel is ready for prime time, it’s awfully nice to be able to split the costs of a professional demo. While I’ve covered the topic before, I feel it’s worth repeating that a professional demo is essential for pitching your song to any industry decision-maker. And speaking of pitching…

Reasons to co-write

7. You’ll have double the number of people pitching your song

8. Bonus Tip

Your work as a songwriter isn’t over once you’ve written your song. As a matter of fact, writing your song is the fun part. Once your song is professionally demoed, the key will be to get it in front of as many potential opportunities as possible. Whether it’s pitching the song to an artist for their project or to a music supervisor for a film or TV show, the fact that you’ve got two people (with two sets of industry contacts) working on getting the song out there is a huge plus.


I feel the need to mention that in spite of all of the above-mentioned benefits, co-writing still isn’t for everyone. There are those writers whose work is best left undiluted by collaboration but I’d venture to say that they are the exception. More importantly, the only way to find out whether co-writing is for you or not is to co-write. I should add that it could take a few mediocre or disappointing collaborations before you find a co-writer you really click with. It’s still art and there’s no accounting for chemistry. That being said, when a co-write does work, there’s nothing quite as satisfying as sharing the joy of putting a great song into the world.

Good Luck!

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8 responses to “Seven Reasons You Should Be Co-Writing Right Now”

  1. Peter Wood -- Jenkins says:

    The hardest thing about co writing is a partner who can bend his way of writing

    Its very rare for a music composer to write a memorable melody to a lric written

    by someone who writes lines purely for the eye

    Unless a lyirc writer has a modern idea of writing formats, it’s probably a waste

    of time whereas if the music is written with a dummy lyric then thats a different


    Two heads are a great idea providing the result is a good one and both have the

    knowledge of pitching and business etiquette, but such liaisons are very rare

    as a great marriage

    • Cliff says:

      Hi Peter,

      Your post is a reminder that there are many ways to co-write. In a strong collaboration, BOTH writers are contributing to making the song better than it would have been if they’d written alone. Often, the melodic and lyrical duties are less defined but the end result speaks for itself. And while I agree that a great collaboration doesn’t happen every time, the good news is that you can have many more collaborators (and good ones) than spouses!

  2. Bobby Swift says:

    So accurate Cliff, always a pleasure to read your awesome posts. When you gonna have another Sonoma songwriters co-write session? That was a blast. Bobby

  3. Carl Beverly says:

    I’m sure this isn’t typical, but thought I would add my experience. My partner wrote the lyrics, I created the melody. As a writer I felt like I did not have ownership of the song. Weird, but true. I think if I had input into the message, I would have felt differently. Neither of us perform that song.

  4. Billy ODell says:

    Any websites with collaborators? I’m a pop/country writer

  5. Wendy levine says:

    You’re so right!! Even though I’m a control freak, I love the process.
    Thanks for your words of wisdom. Cheers!

  6. Rick Erhart says:

    Hello Cliff, I have just over 100 songs in the can. Of those 18 are complete arrangements done strictly by me that I’m not satisfied with. Six are complete songs that I am satisfied with. Those six are the ones where I collaborated and the input made the song a song.

    I like songwriting and I found a collaborator who wasn’t big time into songwriting but did like arranging and was quite competent on guitar. His ability to do things like add a bridge and smooth out transitions made a huge difference. The contribution easily earned a 50/50 split.

    I like to try my songs in different genres but there are some on which the collaborator just draws a blank, but that’s okay.

    Thanks muchly for all of the terrific articles you have written!

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