Four Questions When Choosing A Genre For Your Song Demo

So, first there’s the song. Generally speaking when we sit down to write a song it has more to do with the groove, melody and the lyric than it does with which categories and/or boxes into which your new song will eventually fit. It has also been my experience that most songs don’t necessarily announce
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Pitching Or Catching? : The Way Synchs Work in the Real World

This is a guest post by attorney and music publisher, Bob Donnelly. Bob is a 40-year music industry veteran. He is a partner in Modern Works Music Publishing. He is also a partner in the law firm of Lommen Abdo. _______ Allow me to dispel a common misconception…music publishers do not “pitch” music for synchs
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Four Critical Reasons Songwriters Should Pitch Their Own Songs

So, when’s the last time you pitched one of your songs? Really? That long? I’ll bet I know why. It’s not much fun is it? Dragging around your song children and showing them off to potential “buyers” bears a surprising resemblance to work. Actually, when you think about it, it IS work. OK, I’m with
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Three Helpful Hints for Pitching Songs to Film and TV

When in doubt, go to an expert. My friend and collaborator, Joel Evans, has song placements in over 350 TV episodes and 60 movies. He’s been gracious enough to give us a few important tips on pitching for film and TV. Enjoy! ______ There are many ways to seek information and advice about licensing songs
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Confessions of a Music Supervisor

Ever wondered what music supervisors are really thinking? I can help. I’ve invited an established music supervisor to give you that insight with the condition that they remain anonymous. Read this blog post for the inside scoop… _____ Hi. I’m a music supervisor. My confession? I’m an “anti-music” music supervisor. I don’t want the best song
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