Five Music Industry People Songwriters Should Know

One of the things I’ve observed over the years I’ve been a songwriter is that songwriting is a solitary endeavor. When you do muster up the courage to leave your creative bubble and try to market yourself and your songs, it can be a bit confusing (not to mention overwhelming) to figure out who the
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Seven Milestones in a Successful Songwriting Career

One of the things I’ve noticed in my twenty-five years of writing songs is that it’s way too easy to ignore significant milestones in your songwriting career because you’re so focused on the brass ring of having a hit. I think it’s time we take a closer look at what success really means over the
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Four Reasons You’re Not Getting Your Songs Cut

Patience. One of the hardest things to come up with when you’re passionate about your music and truly believe that your songs are good enough to be cut by famous singers and played on the radio. But it’s patience – and a world class work ethic – that you’re going to need most as you
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Seven Things Songwriters Can Do With Their Finished Song Demos

Writing a great song, while a success in and of itself, is only the beginning when it comes to getting your music out in the world. A subsequent, and essential, step is making a professionally performed and recorded demo of your song. However, where a lot of songwriters find themselves at a loss is knowing
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Six Questions Songwriters Should Ask Before Demoing a Song

So you’ve written a song that you’re excited about and feel like it’s got a real chance of getting cut or placed in a film or on TV. That’s great news. Now the trick is to be sure you’re asking the right kinds of questions of yourself and others before you spend good money creating
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Pitching Or Catching? : The Way Synchs Work in the Real World

This is a guest post by attorney and music publisher, Bob Donnelly. Bob is a 40-year music industry veteran. He is a partner in Modern Works Music Publishing. He is also a partner in the law firm of Lommen Abdo. _______ Allow me to dispel a common misconception…music publishers do not “pitch” music for synchs
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Four Advantages for Songwriters Starting Their Own Record Labels

Above and beyond the wailing and gnashing of teeth that accompanies most conversations about the changes in the music industry, it’s worth mentioning that it has never been easier to make and distribute your own recordings. Choosing the glass half full perspective, I’ve decided to focus on some of the exceptional advantages available to you
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Four Critical Reasons Songwriters Should Pitch Their Own Songs

So, when’s the last time you pitched one of your songs? Really? That long? I’ll bet I know why. It’s not much fun is it? Dragging around your song children and showing them off to potential “buyers” bears a surprising resemblance to work. Actually, when you think about it, it IS work. OK, I’m with
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Four Reasons Why Every Songwriter Should Visit Nashville

For any songwriter interested in furthering their professional career, the “industry towns” that come to mind are New York, Los Angeles and Nashville. The reason Nashville stands apart in my mind is that while New York and Los Angeles have a high concentration of songwriters, they also happen to have a high concentration of many,
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Six Calculated Risks for Songwriters

When I first started writing songs, I was inspired and fearless. I was so deeply immersed in my creative process that I didn’t give any real thought as to how the rest of the world felt about what I was doing. However, when I decided to start thinking of songwriting as a potential career, I
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