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Hello,

Welcome to the Fall edition of the newsletter. I’m hoping you had a great summer with a little vacation time away from the daily grind. I’ve found that even a few days away from my work always brings some well-needed perspective.

I’ve been working on a few different projects these past couple months. Along with recording some truly exceptional talent like this month’s featured artist, Amie Miriello, I was also hired to create a series of country music ring tones for New York-based Sonic Boom Media...one more step in my mission to bring Nashville to NYC in any way I can.

I’ve also had the pleasure of working with my first official MySpace collaborator, singer/songwriter Maura Matlak. Click here to preview Maura's latest single.

This issue’s guest columnist is my longtime friend, collaborator and songwriting mentor, Fred Koller. Fred is a multiple BMI Million-Air award winner with hits on both the country and pop charts. Most notably Fred’s song “Angel Eyes,” which he wrote with John Hiatt, was a hit for Canadian pop star Jeff Healey. In this column, Fred offers some insight into how he made that happen.

Finally, a note of congratulations to my client and friend David Worby on his first major label cut! David’s song “I Never Let You Go,” which we demoed just a few short months ago, has just been released on Dan Evans’ debut album for Universal Music.

Have a great fall and come see me in one of my studios soon.

-Cliff

WHY YOU SHOULD CONSIDER USING A PROFESSIONAL RECORDING STUDIO

Who's the Expert?

You’re a songwriter. It’s what you do. It’s what you’ve trained yourself to do through countless hours of study, practice and effort. Your songs are yours and no one can write them for you. In other words, you’ve become an expert at writing your songs. That’s how it should be.

However, if you’re going to treat your songwriting

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Cliff will be teaching his “Making Great Demos & Getting Them Heard” workshop twice in October:

New York - Wednesday, October 8th, 6-9pm @ BMI (320 W. 57th St.)
Email Glenda for more information.

Nashville – Tuesday, October 21st, 6-9pm @ the Songwriters Guild (209 10th Ave S, Suite 321)
Email Kimberly for more information.

Los Angeles - Cliff will be teaching a brand new workshop entitled “Stripping Down Your Demos & Getting Them Cut” at the Taxi Road rally Nov. 6-9.
For more details go to Taxi.com.

:: BMI Events
More Info

:: ASCAP Events
More Info

:: SESAC Events
More Info

FRED KOLLER Professional Song Poemer:
How To Write a Hit Song in 30 Years or Less


1. At a very early age you should start listening to the radio every waking minute. If the radio station offers charts of the latest hits, these charts should be studied like you’re a biblical scholar searching for minute details. Calling request lines to hear favorite songs again and again is also highly encouraged.

2. Spend every waking moment not spent listening to the radio in record stores or any dubious place where recordings can be bought, sold or traded. Purchase large quantities of recordings by artists one identifies with either musically or lyrically. Buying music based on hair styles or fashion trends is to be discouraged.

3. Spend hours listening for the hidden message the in above records. Keep listening. It’s there.

4. Memorize the names of the producers and songwriters involved in the creation of the songs

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Find out what Jive already knows...

AMIE MIRIELLO

Amie and her guitarist/collaborator Jay Dmuchowski won me over from the moment they came into my New York studio. We spent a great afternoon recording their song “Drifter” which was written with my friend Jeff Cohen and is included on Amie’s major label debut release. Not only was Amie a pleasure to work with but she can really sing!

A Connecticut native who got her start in musical theater, Amie has successfully made the transition to major label artist with a sound that is uniquely her own even in its acknowledgement of some of her favorite artists from Ani DiFranco to Stevie Nicks and Fiona Apple.

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Contest Rules: Every hour of studio time you book in either New York or Nashville will count as an entry in the drawing for a Shure Beta 58A microphone. No limit to the number of entries.

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